Bulgaria Loses Some EUR 1 Bln Due to Lack of State Policy in Cultural Tourism – Expert Says

Bulgaria loses some EUR billion – billion and a half a year due to the lack of a state policy in the field of cultural tourism and this has been going on chronically for thirty years, Institute for Analysis and Assessment in Tourism Director Rumen Draganov said Monday in an interview with BTA on the the eve of the International Tourism Exhibition ‘Cultural Tourism 2023’, which will start in Veliko Tarnovo on April 20.

The problem comes from the fact that the state does not manage its cultural and historical property, and therefore does not know of its existence and does not allocate the necessary funds to this property to support local economies and create new jobs, he added.

Although it cannot be said how much of the nearly BGN 6 billion annual tourism income in Bulgaria comes from cultural tourism, there is a misunderstanding that 70% comes from sea summer recreational tourism and 20% from winter ski tourism, Draganov argued. This is due to a complete misunderstanding of what cultural tourism represents and the fact it is also year-round, not seasonal, he explained.

‘We consider, for example, Varna and Burgas as summer destinations, but we do not note that in Varna there is an opera, philharmonic, theatres, museums and a lot of public state property with many empty accommodation places. The same applies to Burgas. If we mentally remove the sea from these cities, we will see that we are talking about two European cultural destinations for year-round tourism,’ the expert pointed out. Draganov added that the state does not invest into cultural advertising and in bringing the local monuments up to the world standards, as development in this direction is being overlooked.

Moreover, in the active summer months, the seaside towns are saturated with cultural events instead of distributing them all over the year and activating spring, autumn and winter, Draganov stated. He added that the fact that the international song contest Golden Orpheus stopped taking place in Sunny Beach resort is also ‘contributing’ to the lost financial benefits for Bulgaria in cultural tourism. ‘Is it so difficult to understand that this festival was Bulgaria’s biggest marketing message to Europe, generated a huge number of tourists and its abolition was a giant folly for the still state-owned summer resort,’ the expert asked.

Thanks to its natural and historical diversity, Bulgaria has significant resources for the development of tourism, and in particular cultural tourism, says an Eksplika – Global Metrics analysis, published on the Tourism Ministry website. Key among these resources are the UNESCO World Heritage sites, the Hundred National Tourist Sites, thousands of local traditional and cultural attractions, over 40 000 historical monuments, over 160 monasteries, more than 330 museums and galleries, rich traditions in holding festivals and holidays, preserved ethnographic heritage, national cuisine and oenological traditions.

Despite these features, Bulgaria is undetectable on the world map of cultural tourism because the state still does not know who owns the public state property in the part ‘cultural tourism’ and which minister is in charge of the management of public state property in this part, Draganov argued. In principle, it is under the Regional Development Ministry, but the minister in charge does not know this at all, the Institute for Analysis and Assessment in Tourism Director said.

Source: Ghana News Agency

Commonwealth Games: Nigeria to organise competition for schools in Lagos

The Commonwealth Games Nigeria (CGN) said on Saturday it would organise a Community Grassroots Sports programme for secondary schools in the Amuwo Odofin Area of Lagos on May 3.

Tony Nezianya, the Public Relations Officer of the Nigeria Olympic Committee (NOC), said in a statement that the event has been scheduled to hold at the NOC Grounds, “Olympafrica Centre”, and the Olympic Village, Amuwo Odofin, Lagos.

Nezianya said that the President of the NOC, Habu Gumel, supported by the Secretary-General, Babatunde Popoola, would declare the event open.

He said the objective of the programme would be to provide an opportunity for the students in the Amuwo Odofin area to know the importance of Sports and Education to youth development.

“It will also promote social interaction among the students, which will avail them the opportunity to meet other students and engage in healthy competition.

“They will also know more about the activities carried out by Commonwealth Games’ Nigeria.”

According to Nezianya, CGN will award prizes to the three best students in Volleyball and Netball, saying that Cultural Dance will be featured at the event.

He said that all participating students would receive certificates of participation as the schools are expected to dress in their cultural dance attires.

“The event promises to be vibrant as well as an entertaining experience, offering a unique opportunity to discover the variety and values of our rich multi-cultural heritage.

No fewer than 12 Schools in the Amuwo Odofin area are expected to participate in the programme with six students and a Games’ Master coming from each participating school.

Source: News Agency of Nigeria

Top Africa film festival opens in insurgency-hit Burkina

OUAGADOUGOU— Africa’s biggest film festival kicked off in Burkina Faso on Saturday with the Sahel nation’s long-running insurgency looming large over the opening night.

A total of 170 entries have been selected for the FESPACO festival in the capital Ouagadougou, including 15 fiction feature films in contention for the Yennenga Golden Stallion award and a prize of around $30,000.

The president of FESPACO’s organising committee, Fidele Aymar Tamini, said the festival’s 28th edition would embrace the theme of “African cinemas and peace cultures” in the context of the crisis.

The prime minister of neighbouring Mali, the festival’s guest country of honour which is also grappling with a bloody insurgency, said culture had an “avant-garde role to play in the peace process”.

Mali and Burkina Faso are “brother countries” facing the “terrorist hydra” and “our fight for peace and sovereignty remains the priority,” Choguel Kokalla Maiga said to rapturous applause.

Around 60 dancers simulated fighting to the sound of beating drums on an immense stage in a performance called “20 million VDP”, referring to a civilian volunteer force that supports the Burkinabe army.

The ceremony’s organiser said the choreography was designed to showcase the “bravery” of Burkina Faso’s youth faced with the insurgency crisis, which spilled over from Mali in 2015.

Around 12 VDP members were killed in an attack in the unstable north earlier this week, which followed the deaths of at least 70 soldiers in the same region in two separate assaults blamed on militants.

The violence in Burkina Faso has killed more than 10,000 people and forced around two million to flee their homes.

Burkinabe Culture and Communications Minister Jean-Emmanuel Ouedraogo said Mali and Burkina Faso, both ruled by military juntas that seized power in coups, were travelling on the same road in integration and cooperation projects.

Prime Minister Apollinaire Kyelem de Tambela, also attending the ceremony, recently suggested a federation between the West African neighbours.

The festival is due to run until March 4.

Source: Nam News Network

Africa’s Largest Film Festival Offers Hope in Burkina Faso

Most film festivals can be counted on to provide entertainment, laced with some introspection.

The weeklong FESPACO that opened Saturday in violence-torn Burkina Faso’s capital goes beyond that to also offer hope, and a symbol of endurance: In years of political strife and Islamic extremist attacks, which killed thousands and displaced nearly 2 million in the West African country, it’s never been canceled.

“We only have FESPACO left to prevent us from thinking about what’s going on,” said Maimouna Ndiaye, a Burkinabe actress who has four submissions in this year’s competition. “This is the event that must not be canceled no matter the situation.”

Since the last edition of the biennial festival in Ouagadougou, the country’s troubles have increased. Successive governments’ failures to stop the extremist violence triggered two military coups last year, with each junta leader promising security — but delivering few results.

At least 70 soldiers were killed in two attacks earlier this month in Burkina Faso’s Sahel region. The fighting also has sowed discord among a once-peaceful population, pitting communities and ethnicities against each other.

Nevertheless, more than 15,000 people, including cinema celebrities from Nigeria, Senegal and Ivory Coast are expected in Ouagadougou for FESPACO, Africa’s biggest film festival that was launched in 1969.

Some 1,300 films were submitted for consideration and 100 have been selected to compete from 35 African countries and the diaspora, including movies from the Dominican Republic and Haiti. Nearly half of those in the fiction competition this year are directed by women.

Among them is Burkinabe director and producer Apolline Traore, whose film “Sira” — considered a front-runner in this year’s competition — is emblematic of many Burkinabes’ suffering. It tells the tale of a woman’s struggle for survival after being kidnapped by jihadis in the Sahel, as her fiance tries to find her.

Still, Traore is upbeat about her country’s prospects.

“The world has painted Burkina Faso as a red country. It’s dangerous to come to my country, as they say,” she told The Associated Press. “We’re probably a little crumbled but we’re not down.”

Government officials say they have ramped up security and will ensure the safety of festival attendees.

Many hope FESPACO will help boost domestic unity and strengthen ties with other countries, at a time when anti-French sentiment is on the rise in Burkina Faso.

Wolfram Vetter, the European Union ambassador in Burkina Faso, called the film festival “an important contribution to peace and reconciliation in Burkina Faso and beyond.”

The EU is the event’s largest funder after the Burkinabe government. It has contributed approximately 250,000 euros ($265,000).

Source: Voice of America